The majority oppresses with force (force is oppression), with mass, advantage in numbers. The minority then has no recourse other than to yield – to slip between the planes of oppression and somehow turn the weight of the majority against itself. This is a natural state of affairs, and is why force favors the strong and spirit favors the weak. So, if you are interested in spirit better become weak, not in your self, but comparatively.
The Other is vital not as something to empathize with or show compassion towards – nothing so sentimental and weak. The Other, if I let it, always brings me to my own nakedness, my own weakness, and therefore to a source of pure unadulterated strength, the source of spirit.
Eradicate the dead heart of the system.
Nothing empowers like a worthy opponent. I learnt this from my teacher. Although it's only possible to learn something you already know.
A great artist doesn't create beautiful surfaces, she creates weapons that can be used to rupture surfaces and dive to unfathomed depths. She does this by living an impeccable life devoted to expression.
If a music/poetry/philosophy doesn't demand that I live a life other than the one on offer, then why bother with it?

It is not, and has never been, a matter of knowing, or of awareness, or even of consciousness. The internal things we work with cannot be known, and the more we try to know them, which means set them within external frameworks of reference and representation, the more we ruin them. This is why, it is, and has always been, a matter of faith.
The student of the Internal must learn to live and love a life that welcomes any threat to its being.
Only through an encounter with the Other, with otherness, with pure externality, can the Internal open up and be perceived. This is because my being is necessarily external – hard, enduring, structured – and, for the internal element it contains, and which contains it, to be released, this being, and the structures it is composed of, compose it, must be disturbed if not ruptured, temporarily, or not.
A master, through acquired knowledge/experience and a revealed/revealing humility, is someone capable of self-correction.
...vague impressions of brevity between the two and hence no more reckoning save possibly algebraical...


Like a ball bouncing from foot to foot.
When still always be primed to leap into action, and when moving always be ready to perch - poised and balanced - on one leg.


"For me, it's not about relaxing. It can get music flowing in a way that's really uninhibited, and I want to spend as much time in that place as possible."
Trouble with words: they're so damn lazy.

Burning desire requires work movement.


"Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it."